DOOM – Cellz

Protests in Athens turned into riots after the shooting death of a 15 year old teenager by Police. Read more here, here and here.

Track is by bad man DOOM aka MF Doom from his latest album Born Like This.

The next film clip by my girl Jackie Ransom, from her upcoming album Cell Death. The song is about a giant fish that eats children, be afraid. No MP3 with this one, you will have to wait for the album to drop later in the year. Another sweet homemade video from Miss Ransom: she certainly has a way of making what was probably at one stage pretty innocent imagery look completely menacing. I can’t wait to see what she comes up with next!

Stay tuned too for more news on my split 7″ with Jackie Ransom, featuring a track I recorded with Beta Evers from Germany. It’s coming soon on Zerohour Doom & Glamour.

My homeboy Spate hooked me up this link to Nightcrawla, a site dedicated to Philadelphia graffiti with emphasis on hardcore street bombing and Philly wickeds. Basically, some next level shit — menacing tags turning handstyles into wildstyles, even many writers find Philly tags illegible due to their complex letterforms, huge flares, tags that sometimes reach several metres high as well as smoking spliffs and brandishing butterfly knives. Heat. These cats rock can control in their tags that toys don’t even achieve in their pieces. Check it out at Nightcrawla Philadelphia Graffiti. The navigation is a bit frustrating but there is some primo shit if you can be bothered to lurk through it.

Philly’s Rasan from the late 80s and DaSaR from the mid 90s | Photos by Nightcrawla

Espo, photo by adnauseum on Flickr

Philadelphia Graffiti Handstyles

Dope Youtube video giving some insight into the Philly style plus more importantly,
hardcore street bombing action footage. Peep it!

Sydney Graffiti: Spate

The man Spate is also a fucking yob. One of the dopest bombing styles in Sydney no doubt.

Gang Starr – Above The Clouds

I uploaded this track and had a post half written the day before I heard the news that Guru had gone into a coma after suffering a heart attack. At the time I was writing more about where my head was at, but once I heard that news I felt it wasn’t the time to be posting this track. Sadly, Guru lost his battle and passed away Monday February 19.

I’ve been a huge Gang Starr fan since the early 90s, bumping joints like Just To Get A Rep and Ex Girl To The Next Girl, but to me it was Moment of Truth that was Gang Starr at their finest, and to this day it is one of my all time favorite hip hop records. The Militia featuring Big Shug and Freddie Foxxx was pure hardcore street rap, straight fire. Above The Clouds with Inspectah Deck of Wu Tang Clan is a more melancholic joint showing off Guru’s deeper lyrical flows and You Know My Steez, The Rep Gets Bigger, She Knowz What She Wantz and the title track Moment Of Truth, to me, represent what real hip hop is all about. And as for the production by the man Dj Premier — shit is untouchable: every beat on that album is completely off the hook. Gang Starr were one of the most influential hip hop acts to come out of New York, and it’s not hard to see why.

I’ve written a more in depth tribute to Guru of Gangstarr / Jazzmatazz for old school rap and electro funk blog Cold Crush, check it out.

In something much closer to home, my own old man suffered a heart attack over the weekend. The shock of hearing about somebody you have admired and being a fan of for years having a heart attack is one thing, but when it’s your own family shit is on a whole new level. Thankfully though I can say that he is ok, he needed three stents put into his heart but the doctors are pretty happy with how he is doing. Keep my Dad in your thoughts. One love

Gang Starr – Above The Clouds

Zapp & Roger – More Bounce To The Ounce

B-Boys B-Ware… Cold Crush is the electro funk driving ya’ll crazy and it is back this Friday night at 202 boogie down Broadway. We got Melbourne mix master Hysteric, the Cold Crush Mob — that’s me, OSC-001 and Simon Caldwell, and special guest, boogie king Sage One. We are gonna have asses shaking and bodies poppin’ and lockin’ from 9pm till late. We got more bounce to the ounce baby!

I just did an interview with Hysteric last night, and posted a fresh electro mix from him for Cold Crushin’ Mixes. Dude has been collecting records and doing his thang for many years now, so it’s a pretty cool interview for anybody into electro or record collecting… check it out over at Cold Crush.

I also just wrote an article for Cold Crush on punk pioneer and Sex Pistols manager Malcolm McLaren, who you may not know also recorded a couple of very cool old school hip hop records. Check it out the Buffalo Gals video clip, it is amazing… featuring bboying by the Rocksteady Crew but what is really incredible is the rare footage of all time graffiti style king Dondi White painting a public style burner reading Buffalo Gals in his trademark funked out style. Dudes letters are untouchable to this day, Style Master General is the word!

Anyway, see ya’ll Sydney cats Friday night, i’ve been pretty busy with some other stuff but i’m working on some stuff for this site too so i’ll hopefully get around to a few posts this week. I’ve got a new mix on the way too for Cold Crushin’ Mixes so stay tuned!

Zapp & Roger – More Bounce To The Ounce

N.W.A – Dopeman

Yo, I will be spinning some tracks at Shake That Monkey at the Burdekin Saturday the 10th of April, along with Typhonic (from Databass Records), Ryzer & G-Mo.

The party is promising a mashup of styles from ghetto tech, booty, dubstep, electro, techno and hip hop, and I’m gonna be setting shit off from 9 till 10:30. Entry is a cool $5 if you get there before 10 so you know what to do.

N.W.A – Dopeman

Jackie Ransom – Final Exposure

Miami might be best known for cocaine, vice, Miami Bass and sunshine, but what you might NOT be aware of is that there is some seriously dark and experimental wave music coming out of Miami. Probably the best known, is Staccato Du Mal — he had several tracks on each of the Wierd LPs, as well as a handful of great independently released 7″s and CDRs under various aliases and collaborations (including a beautiful 7″ with vocals by Liz Wendelbo of Xeno & Oaklander) on his own label SDM.

Another member of this lesser known Miami underground is Miss Jackie Ransom. Like Staccato Du Mal, Jackie shares a certain punk aesthetic to her music — using exclusively analogue instruments, including cheap synthesizers, lofi drummachines and guitar, all played live: one-take recordings of every track, often improvising with vocals and synth riffs as the track is coming along, making for a raw and unique sound.

Final Exposure is from Jackie’s upcoming album Cell Death. Featuring 8* (the vocalist from Flesh Græy Display) credited for vocals, guitar and mistake — yes you read that correctly. A duet of haunting vocals between Jackie and 8*, with dark and poetic lyrics with maybe just a slight nod to Joy Division.

The video clip was also made by Ms. Ransom herself, a disturbing collage of old archive video footage of hypnotism, psychology and sight, edited into a horrifying film noir nightmare. Once again that punk DIY aesthetic and imagination shines through, saying fuck to the million dollar video clips we are assaulted with any time we switch on a TV.

I have a split 7″ on the way with Miss Ransom, featuring her track Killer Inside (which will also appear on Cell Death and the upcoming Doom & Glamour album on Zerohour) and my track Eternal, with vocals from Beta Evers. Two great songs if I may say so myself, and it also features some beautiful artwork by the ever-amazing Caitlin Shearer. It will be released shortly on Zerohour so stay tuned baby!

Ms. Ransom also plays in electronic improv rock project Mascara Scare with 8* and Jackie Soir — check them out.

Jackie Ransom – Final Exposure

Newcleus – Destination Earth

Got some sad news today that Chilly B, from New York old school rap crew Newcleus died yesterday of a stroke, at only age 47. It’s sad news for all electro funk and old school hip hop fans, Newcleus had some really huge hits in the early 80s…classic old tracks like Jam On It, and Jam On Revenge, I Wanna Be a B-Boy, Computer Age and I Am Not a Robot.

I’ve picked one of their lesser known tracks, from their first album Jam On Revenge, released in 1984. It’s much deeper and darker than most of the electro of its time, with live bass guitar (played by Chilly B), beautiful dark strings and arpeggio synth lines over a heavy drum track. It’s atmospheric and a little melancholy, and really I think it sounds more like the electro being produced in the last few years as opposed to something that’s nearly 30 years old now. A real future jam.

RIP Chilly B, my thoughts to your family and the rest of Newcleus.

For a better look at the history of Newcleus (and one of their classic party jams to listen to) check out this article over at Cold Crush: Chilly B of Newcleus: A Tribute

Ps, there are a whole stack of Newcleus albums for sale at the official Jam On Productions online store. Check it out because by buying from there you are supporting the artists directly so go on and show a little love!

Newcleus – Destination Earth

Xeno & Oaklander – Blue Flower (Live at Wierd)

Minimal wave, or minimal synth music has been around since the late 70s and early 80s, but until finding a revival over the last few years was a very obscure and underground genre. While there were some LP releases at the time, it was more common for minimal wave artists to go the punk/DIY ethic – self-pressed and distributed 7″s and especially releases on cassette tape, meaning that as you can imagine digging up these old treasures can be next to impossible now over 30 years later, and it’s safe to say that there is probably a whole wealth of music out there that might never see the light of day again.

Thanks to labels like New York based Minimal Wave, run by Veronica Vasicka who is dedicated to digging up these old treasures and remastering and re-releasing them on vinyl and as digital downloads (with artists permission of course) the minimal sound has been really making waves — pun possibly intended — in the underground electronic scene and it’s not hard to see why. With it’s punk ethic, lo-fi drummachine rhythms, romantic analogue synthesizer melodies – often played as live instruments instead of being sequenced (midi is a rarity, and even shunned by many as being too rigid), deep lyrics and passionate but often cold and distant vocals, it makes for beautiful listening though being in Sydney I don’t have the pleasure to see this stuff being played live or played at clubs.

The minimal wave sound has also had a huge influence on the electro scene over the past few years, you only need to listen to songs like Novamen – Lies, or check out record labels like Le Syndicat Electronique’s new label Musamore, or German Das Drehmoment.

My own introduction to minimal synth was through French electro label Invasion Planéte. The Invasion Planéte sound was very electro for the first few releases but quickly started becoming more and more sparse and minimal. I’ve always been a huge fan of Beta Evers, who’s sound is heavily inspired by vintage German New Wave and EBM, as well as old 80s industrial like early Ministry and listening to Front 242, Nitzer Ebb etc so I guess I had already been warmed up to the sound, but by about halfway through it’s lifetime, Invasion Planéte was concentrating almost exclusively on minimal wave music, and as i’d been following closely the Invasion Planéte releases it first really caught my attention, hearing artists like Silent Signals (aka Echo West) and Bakterielle Infektion from Germany, and of course Le Syndicat Electronique’s own music along with fellow label mate Porn.Darsteller.
It was electro, but not like i’d ever heard it before…apart from the prominence of vocals, something about it was raw and different, and I had to hear more. Before long, I found labels like Enfant Terrible from Holland and Wierd from New York and from there things spiralled out as I discovered there was a whole scene to this minimal wave music, with artists both now and ranging back right to the 1970s.

Xeno & Oaklander are from Brooklyn, and just released their masterpiece first full length album Sentinelle on Wierd Records. Members Sean McBride; well known for his solo project Martial Canterel and visual artist/filmmaker/fashion photographer Liz Wendelbo, who has also collaborated with Miami based Staccato Du Mal and New York trio Three To Forgotten (Xeno & Oaklander with Epee Du Bois) have a strict set of rules for their music — exclusively analogue synthesizers (no soft-synths, no midi and no digital, a bold move in this day and age of click and drag producers and DJs that have never touched a turntable in their lives), and one take recordings played as live as possible.

Sentinelle is a deep and richly layered album, with lyrics from both Liz and Sean, paranoia and disaffection, tales of underwater cities, the industrial revolution and a world of shadow combined and seamlessly changing from English to French, sometimes in the same song. The music itself ranges from slow synth pop style tracks to tense high-BPM synth-punk and from deep and romantic to at times aggressive.

This song, Blue Flower is from Xeno & Oaklander’s first EP Vigils — a self released CDr on Martial Canterel’s label Xanten, and also appeared on the second Wierd Compilation from Wierd Records, though both versions are different from each other, and different again to this version, which was played and recorded live at a Wierd party in New York in 2008.

I really love the original version from Vigils and for me it’s hard to beat. Tender synth melodies and haunting vocals from Liz Wendelbo, from the first time I heard it I found it amazing. But this live version is beautiful. The long and atmospheric intro and added depth of Martial Canterel’s vocals add a whole new layer of tension which I find just incredible.

Xeno & Oaklander – Blue Flower (Live at Wierd)